September is creeping into October, Halloween is almost upon us (yay!), and looking back, I've had a productive summer. THE JOURNAL OF JEREMY TODD came out near the end of July, I hit Scares That Care Charity Weekend days later, and I've done three different podcast interviews that came out since then where I've talked about JEREMY TODD, CONSEQUENCES, and dropped some hints about my forthcoming novel from JEA Press, MUDCAT. In case you missed any, here they were:
Arm Cast Podcast Episode 165, Recorded Live at Scares That Care
Armand Rosamilia had a revolving door on his guest seat during this one, so in addition to the segment where I appear with Wile E. Young, you can also hear him chat with author and podcaster Tommy Clark, super fan Tim Feely, podcaster Elizabeth Katheryn Gray, and author and podcaster Frank Edler.
The Horror Show with Brian Keene, Episode 130
Brian was slammed with helping to keep Scares That Care running smoothly, so I got the privelidge of being Mary SanGiovanni's first solo interview that Sunday morning, with Dave Thomas providing occasional comments as well as running the technical end of things.
Unnerving Magazine Interview Series, September 25, 2017
I had a chat with Eddie Generous from Unnerving Magazine about the origins of JEREMY TODD, Stephen King's hit or miss movie adaptations, and other things for his Author Interview series.
In addition to those, I also made a cameo appearance in The Mando Method Episode 47, where I was a member of the live studio audience at Scares That Care, and was occasionally pulled in by Armand and Chuck as they talked about their experiences at the con.
I'll be adding all this to my Publicity page soon, but for now, you can feel free to follow any or all of the links above and see what I had to say. For that matter, check out their other episodes as well, as all of them are entertaining and - in the case of Mando Method - quite informative, especially to anyone who wants to try their hand at this insane profession of writing for a living.
Saturday, September 30, 2017
Monday, September 11, 2017
You'll Float, Too: My Review of Stephen King's "IT: Chapter One"
Adapting a novel to another medium is no easy task. Add in a previous adaptation that has achieved a level of cult success, and things get even harder. When the work in question is from Stephen King, a man whose career is littered with a series of hit-or-miss (mostly miss) adaptations to the screen, the task might even start to border on the impossible. Finally, consider that the source material is a whopping 1,000+ pages, and many would prefer to give up before they even begin. The odds are almost guaranteed that you'll produce something closer to Maximum Overdrive than you will to Shawshank Redemption or The Green Mile.
Thankfully, IT gets it right.
There's a balance to adapting a novel to a visual medium, be it comics or television or movies. The printed word allows you to get inside your character's heads, to be the character in a way. Since a book can be as long as it needs to be, the story can be a slow-burner to develop the characters and the world and the problems. Movies and television have a set amount of time to tell the story, so often such luxuries fall by the wayside. In Hollywood, it's generally accepted that 1 page of script is the equivalent of 1 minute of screen time. A thousand hours is longer than most television series ever get, much less a movie. So how do you adapt it, and do it right?
By getting to the essence of the story and the characters, and not spending a large amount of time on the fluff.
Thankfully, IT gets it right.
There's a balance to adapting a novel to a visual medium, be it comics or television or movies. The printed word allows you to get inside your character's heads, to be the character in a way. Since a book can be as long as it needs to be, the story can be a slow-burner to develop the characters and the world and the problems. Movies and television have a set amount of time to tell the story, so often such luxuries fall by the wayside. In Hollywood, it's generally accepted that 1 page of script is the equivalent of 1 minute of screen time. A thousand hours is longer than most television series ever get, much less a movie. So how do you adapt it, and do it right?
By getting to the essence of the story and the characters, and not spending a large amount of time on the fluff.
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